Alger, Horatio


Horatio Alger Jr. (/ˈældʒər/; January 13, 1832 – July 18, 1899) was an American writer of young adult novels about impoverished boys and their rise from humble backgrounds to lives of middle-class security and comfort through hard work, determination, courage, and honesty. His writings were characterized by the “rags-to-riches” narrative, which had a formative effect on the United States during the Gilded Age.

All of Alger’s juvenile novels share essentially the same theme, known as the “Horatio Alger myth”: a teenage boy works hard to escape poverty. Often it is not hard work that rescues the boy from his fate but rather some extraordinary act of bravery or honesty. The boy might return a large sum of lost money or rescue someone from an overturned carriage. This brings the boy—and his plight—to the attention of a wealthy individual.

Alger secured his literary niche in 1868 with the publication of his fourth book, Ragged Dick, the story of a poor bootblack’s rise to middle-class respectability. This novel was a huge success. His many books that followed were essentially variations on Ragged Dick and featured stock characters: the valiant, hard-working, honest youth; the noble mysterious stranger; the snobbish youth; and the evil, greedy squire.

In the 1870s, Alger’s fiction was growing stale. His publisher suggested he tour the American West for fresh material to incorporate into his fiction. Alger took a trip to California, but the trip had little effect on his writing: he remained mired in the staid theme of “poor boy makes good.” The backdrops of these novels, however, became the American West rather than the urban environments of the northeastern United States.

In the last decades of the 19th century, Alger’s moral tone coarsened with the change in boys’ tastes. Sensational thrills were wanted by the public. The Protestant work ethic was less prevalent in the United States, and violence, murder, and other sensational themes entered Alger’s works. Public librarians questioned whether his books should be made available to the young.[1][2] They were briefly successful, but interest in Alger’s novels was renewed in the first decades of the 20th century, and they sold in the thousands. By the time he died in 1899, Alger had published around a hundred volumes. He is buried in Natick, Massachusetts. Since 1947, the Horatio Alger Association of Distinguished Americans has awarded scholarships and prizes to deserving individuals.

Cast Upon the Breakers

Cast Upon the Breakers

Chapter I A FAITHLESS GUARDIAN


Chapter II THE CASKET OF JEWELS


Chapter III A STRANGE DISAPPEARANCE


Chapter IV IN PURSUIT OF A THIEF


Chapter V A YOUNG FINANCIAL WRECK


Chapter VI AN IMPUDENT ADVENTURER


Chapter VII AT THE NEWSBOY’S LODGING HOUSE


Chapter VIII RODNEY FINDS A PLACE


Chapter IX THE FIRST DAY AT WORK


Chapter X MIKE PUTS ON A UNIFORM


Chapter XI MISSING GOODS


Chapter XII WHAT WAS FOUND IN RODNEY’S ROOM


Chapter XIII CHARGED WITH THEFT


Chapter XIV RODNEY IS DISCHARGED


Chapter XV A RICH FIND


Chapter XVI A SURPRISING TURN OF FORTUNE


Chapter XVII JASPER’S PERPLEXITY


Chapter XVIII RODNEY’S SECRET IS DISCOVERED


Chapter XIX JASPER’S REVENGE


Chapter XX RODNEY LOSES HIS PUPIL


Chapter XXI CONTINUED ILL LUCK


Chapter XXII AN OLD ACQUAINTANCE TURNS UP


Chapter XXIII MR. WHEELER HAS A SET BACK


Chapter XXIV A CHANGE OF SCENE


Chapter XXV JEFFERSON PETTIGREW’S HOME


Chapter XXVI THE BOY CAPITALIST


Chapter XXVII THE FAILURE OF SQUIRE SHELDON’S PLOT


Chapter XXVIII A MINISTER’S GOOD FORTUNE


Chapter XXIX A MINING TOWN IN MONTANA


Chapter XXX THE MYSTERIOUS ROBBERY


Chapter XXXI MR. WHEELER EXPLAINS


Chapter XXXII RODNEY FALLS INTO A TRAP


Chapter XXXIII UNDERGROUND


Chapter XXXIV RODNEY’S DISCOVERY


Chapter XXXV A BLOODY CONFLICT


Chapter XXXVI THE RODNEY MINE


Conclusion